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The book traces the rise and fall of Jingdezhen folk kilns systematically. It introduces the production process, raw making porcelain. The author analyzes the local features and artistic style of porcelain made in folk kilns in Jingdezhen, helping readers to better understand its aesthetic and cultural value. Another feature of this book is the in-depth study on porcelain culture from the angle of cultural anthropology. It considers folk kiln a “form of culture” and reveals the cultural interests of the porcelain producers.

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